About Tommaso Zillio
I am a prog rock/metal guitarist, composer and teacher in Edmonton, AB, Canada. I have 18 years of playing experience, on and off stage, both solo and with a variety of bands. My last show to date had been a series of performances of the Rocky Horror Show with the Vi! Va! Voom!! entertainment company. In 2009 I released, together with other 13 artists, the compilation CD "Under the Same Sky", distributed worldwide in 10.000 copies.
I am a proud endorser of AMT electronics, the best distortion pedals on the planet.
Among my favorite musician and influences are: Dream Theater, Pink Floyd, Joe Satriani, Andy Timmons, Mike Oldfield, Jean-Michel Jarre, Deine Lakaien, Litfiba, Nightwish, Astor Piazzolla, Hans Zimmer.
I am a graduate of the Tom Hess's Music Career Mentoring Program and Elite Guitar Teachers Inner Circle.
Please, visit my website at http://www.tommasozillio.com
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Are you a current or aspiring songwriter who is feeling in a bit of a slump? Maybe you feel like you just aren't good enough or that you don't have what it takes? This article will work to ease your worries, and also give you the tools to start improving on your songwriting today.
Writing lyrics for music isn't always easy, but there are a few other techniques other than inspiration that will make even a mediocre writer able to turn out great lyrics time and again.
Do you feel trapped in a mediocre chord progression bubble? Are your chord progressions not sounding as good as they used to? Looks like you are ready to start learning some tricks to take your progressions to the next level.
Learning multiple fretboard systems won't make you a better guitar player. In fact, learning a number of systems could turn you into a worse player who consistently gets stuck in the same traps.
Do you ever see people on the internet who just can't play anything other than the CAGED system? Or do you run away when you see articles touting the system, looking at other variants. Take a minute to think about your reasoning for using the system you are. Is this an appropriate reason?
The first bit of fretboard theory you may have learned from your instructor is something called the “octave pattern.” It’s an easy trick to find two notes that are a single octave apart (if you haven’t learned this, then skip to the video at the bottom of the page).
You know your metal guitar scales like the back of your hand but you have noticed that your guitar heroes sometimes are simply “ignoring” the scale and play seemingly random notes… and yet they still sound amazing? How is THAT possible? Well, it’s not black magic, it’s just a simple application of tension and resolution, and I’m going to show you how. Keep reading.
You would like to learn how to play “outside” but somehow everything you play sounds “wrong” rather than “outside”?