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Posted by: guypople, on Aug 14,2010, in category Music Theory
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Abstract: In the early 90’s I chasing the Modes. Esoteric terms like ‘Mixolydian’ cropped up in magazine articles by luminaries like Alex Skolnick and suggested realms of arcane knowledge that I sought. This journey of discovery opened many doors of perception and progression which I continue to traverse. In this lesson I intend to extract the essence of Mode in order to distill some musical aqua vitae. There is a presumption that you have reasonably well-developed techniques but only a modicum of theoretical understanding.
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Posted by: CPDmusic, on Jul 14,2010, in category Music Theory
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Abstract: Today we will expand on our lesson on major and minor intervals by learning about augmented, diminished, and compound musical intervals.
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Posted by: guypople, on Jul 07,2010, in category Music Theory
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Abstract: This lesson takes us into the realm of the Major Scale, the source of all western music theory. We will dispel some serious jargon and discover the key.
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Posted by: guypople, on Jul 07,2010, in category Music Theory
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Abstract: pursuing our lead guitar development by reducing the major scale to modes (or inversions) in the name of improvisation (the good stuff!); and sharpening our rhythm attack by exploiting the CAGED system further.
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Posted by: guypople, on Jul 07,2010, in category Music Theory
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Abstract: focuses on using the major scale to build other scales e.g. Natural Minor, Spanish, Blues and Japanese Pentatonic scales. The rhythm guitar element remains CAGED, with the focus on 7th, 9th, 11th and 13th extensions.
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Posted by: oscar.ortega, on Jun 22,2010, in category Music Theory
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Abstract: lets simplify things and learn the chord inversions!
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Posted by: guypople, on Jun 07,2010, in category Music Theory
Views: this lesson has been read 445 times
Abstract: Music Theory has always been a hard sell. There is a widespread perception that knowledge somehow interferes with our free expression, encourages gratuitous excess and seeks to undermine the sacred link we are forging between our ears and fingers.
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Posted by: jeulin, on Jun 06,2010, in category Music Theory
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Abstract: Tired of playing always the same patterns on the same scales in your improvisations? This lesson relates an experiment using modes in order to renew those good old pentatonic scales and give them unusual colors
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Posted by: guypople, on Jun 05,2010, in category Music Theory
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Abstract: In the first installment of CAGED Arpeggios I developed the arpeggio forms of the CAGED chord- system shapes. This time the individual shapes will be put to work in replicating chord progressions.
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Posted by: guypople, on Apr 25,2010, in category Music Theory
Views: this lesson has been read 188 times
Abstract: Harmonic Alchemy reference spreadsheet.
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