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Vibrato Control
by Tom Hess
(www.tomhess.net,
hess.4t.com)
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Vibrato is one of the
most, if not the most,
expressive tools that we
guitarists have in our
arsenal of techniques.
Continuous musical phrases
without the potent thrill of
vibrato sound less dramatic
than phrases with the right
vibrato used in the right
places and situations.
Classical singers spend
many years and a lot of
effort trying to master
vibrato with their voice.
Many guitarists,
however, don't spend much
time trying to master this
technique at all. Many
guitar teachers either
don't value vibrato
much themselves or just take
the technique for granted
and do not stress the
importance of vibrato enough
to their students. It is
unfortunate that the value
of possessing a great
vibrato technique is often
underestimated.
I believe that the best
and most expressive vibrato
is slow to moderate in speed
but wide in range. There are
times, however, when a
somewhat narrower range is
needed (usually over slow
and soft musical passages).
A fast vibrato can
sometimes be effective, but
use it with caution as it
can lead to an out of
control sound (and an out of
tune sound if you are not
careful). I very rarely use
a fast or narrow vibrato and
my vibrato is never fast and
narrow at the same time!
Here are the most common
problems that many
inexperienced guitarists
have with their vibrato
technique:
- The vibrato is
too fast. This sounds like
a small annoying insect
buzzing around your ears,
and the note usually
sounds out of control.
- The vibrato is
too narrow in range.
Unless you are playing in
a slow and soft musical
passage, this makes the
note your playing sound
weak and timid.
- Vibrato is not
used enough. Notes decay
too quickly and sound
lifeless. This can cause
the end of musical phrases
to sound boring.
- Vibrato is
being over used. Some
players try to cram in
vibrato at every possible
chance they can. Overuse
tends to lose its
effectiveness on the
listener.
- Vibrato is used
either poorly or not at
all on bent notes. When a
string is bent the note
will naturally decay more
quickly without a strong
vibrato to support it. If
you don't already know
this, adding vibrato to a
note (especially a bent
note) can drastically
increase the life and
sustain of the pitch.
- The vibrato is
not in tune! (This one
sounds really awful!) This
is a common problem on
bent notes and is caused
by inconsistent bending of
the string by the left
hand (or the right hand if
you play a left handed
guitar. You must be
careful to make sure that
the string is being bent
to the same place every
time otherwise the pitch
will be inconsistent and
out of tune. Another cause
of the note sounding out
of tune is that the bent
note is not being released
(after each time that it
is bent during the vibrato
motion) to the exact same
pitch every time. If you
have this problem and are
having a hard time solving
it, I recommend to
practice using an
electronic tuner that has
needle meter. Watch the
needle and make sure that
you are bending and
releasing the note to the
same place every time. It
will help if you do a
slower vibrato while
practicing with the tuner.
I highly recommend
listening to players that
have an impeccable
vibrato technique. Here
is a short list of virtuosos
that have helped me to shape
my own vibrato: Yngwie
Malmsteen, George Bellas,
Andy LaRocque (plays in
the King Diamond band) and
Jason Becker. There are, of
course, other players who I
think have excellent vibrato
too -s here are a few more
guitarist's vibratos to
listen for: John
Petrucci, Marty Friedman,
George Lynch and Eddie Van
Halen (on the older Van
Halen recordings). A great
vibrato technique
usually takes a long time to
master. It wasn't until
after playing for many years
that I felt that my own
vibrato was where I wanted
it to be. Finally, I'd like
to suggest to you not to
overlook or underestimate
the importance and
effectiveness of this highly
expressive technique. Even
after you master it,
constantly work on it and
continue to refine it
always. |
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Tom
Hess
©2005 Used by
permission |
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