For this writing experiment, I strongly suggest to write an instrumental piece of music (song with no words or singing). My reason for this is simple, most writers rely to heavily on the lyrics of the song to express the thoughts, feelings, emotions, story, etc. that is being communicated. Certainly there is nothing wrong with the lyrics telling the story, but I think its a lot more valuable if you can tell the same story with the music alone. Then when you add the lyrics (if you add them at all), the power and impact of the song will be much greater on the listener. So let's focus this experiment only on the music and not on the lyrics. You can always add lyrics later once you are done if you want to.

1. Choose your topic. Find a something that you want to express musically. You can choose anything you want such as: a personal event, feeling, thought etc. from your own life, or a story that you heard about or read about, or you can create a fictional story, event, etc. to use. The key is to know exactly what it is that you are going to be expressing before you begin to even think about writing music. What the are the expressive goals? Why have you chosen this topic to express in music?

2. Write it down. Once you have chosen your topic, write it down on paper in your own words in a few paragraphs. You will be coming back to this written description of your topic over and over again as you are writing the music, so keep this close by you when you are working. Describe (in writing) the events, feelings, thoughts, the people, places or things involved, etc. Remember what your expressive goals are?

3. Divide into sections. Divide story/topic into sections. The number of sections will vary depending on many factors that are all based on your story. For most songs, 3-8 sections are typical but more less are possible. The sections of your story/topic will determine the number of musical sections of your song, so think about this carefully. Number each section.

4. The 7 basic elements of music. Make a list of the 7 basic elements of music. Then think about how each musical element (rhythm, harmony, melody, texture, form, timbre, dynamics,) can best be used to express your expressive goals (your story/topic) into music. Really think about each element, don't just rush through this step. Write down your ideas about each on the same paper that you prepared in step 2.

5. Climax. Think about where the climatic points in your topic/story are. Which section is the main climatic point in? At specifically what point in that section is the climax located (beginning, middle, end. etc.) It may be a good idea for you to compose the climatic point first even if it's the middle or end of the story. If you know where you are going, its going to be a lot easier for you to get there. In most stores, parts before the climax build up to the climax and parts after the climax generally move away from it. In other words, what happens before the climax usually create tension and what happens after the climax usually create resolution of all the built up tension. Of course not all stories or music follow this pattern, but often times it does. Write down your ideas about each on the same paper that you prepared in step 2.